Master's in Film Studies in North America

Top Masters Programs in Film Studies in North America 2017

Film Studies

The benefits of a Masters extend beyond improving your earning potential. They can provide you with personal and professional skills to accelerate your development. They are also an opportunity to differentiate yourself from your peers, many of whom will have similar A-level and undergraduate qualifications.

Those who study film studies may choose to specialize in a particular area, such as American film culture, film aesthetics, world film, European films, historiography and documentaries. Film studies prepare students for work in the industry or in academia.

The United States of America is a large country in Northern America, often known as the "USA", the "US", the "United States", "America", or simply "the States". It also gathers over 310 million people which is the world's third largest population. It includes densely populated cities with sprawling suburbs, and vast, uninhabited and naturally beautiful areas at the same time.

Master's Degree in Film Studies in North America

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Master in Production Design

American Film Institute
Campus Full time September 2017 USA Los Angeles

Attracting artists from architecture, interior design, scenic design, theater arts and other related fields, the Production Design curriculum focuses on the creative process of visually and physically developing an environment that becomes an essential component of the storytelling process. Production Designers must possess a keen understanding of the story in order to create a believable and realistic world on screen. [+]

Best Master's Degrees in Film Studies in North America 2017. Attracting artists from architecture, interior design, scenic design, theater arts and other related fields, the Production Design curriculum focuses on the creative process of visually and physically developing an environment that becomes an essential component of the storytelling process. Production Designers must possess a keen understanding of the story in order to create a believable and realistic world on screen. First year Fellows collaborate on at least three produced narrative projects, learning to transform designs into reality on a soundstage or location, while adhering to restricted budgets. Fellows develop design skills through classes, workshops and practical set construction, focusing the first year on traditional design methods to express their ideas. Digital design tools and techniques are integral to the curriculum and are the focus of the second year. Second year Fellows design an entire thesis production, while completing an independent design project for their portfolio. The curriculum also includes special workshops on set illustration, drafting, model building, budgeting, color theory and the latest digital design. These courses help Production Design Fellows learn to communicate their visions to their AFI production teams, as well as to future professional colleagues. First Year Curriculum PRN 510: Introduction to Cycle Production – Boot Camp PRN 511: Cycle Production I PRN 512: Cycle Production II & III PRN 521 & 522: Narrative Workshop and Analysis DES 511 & 512: Production Design Workshop: Cycle Mentorship DES 521: The Art and Craft of Production Design: Design II... [-]

Master in Film Editing

American Film Institute
Campus Full time September 2017 USA Los Angeles

The Editing program is designed around the aesthetic, technical, and collaborative aspects of post-production with the primary focus on storytelling. Fellows develop the skills to be editors, assistant editors and post-production producers while collaborating with other team members. [+]

The Editing program is designed around the aesthetic, technical, and collaborative aspects of post-production with the primary focus on storytelling. Fellows develop the skills to be editors, assistant editors and post-production producers while collaborating with other team members. The Sony Digital Arts Center is an Avid based state-of-the-art post-production facility. First year editors work on six narrative digital projects — with instruction including not only picture and visual effects editing but also the aesthetics of sound design — as they create and mix sound with Pro Tools audio workstations. Second year editing Fellows collaborate on two film or high-definition digital projects, taking them through a complete post-production process, replicating a studio or independent production and developing professional relationships with outside vendors. First Year Curriculum PRN 510: Introduction to Cycle Production – Boot Camp PRN 511: Cycle Production I PRN 512: Cycle Production II & III PRN 521 & 522: Narrative Workshop and Analysis EDT 511 & 512: Editing Workshop EDT 521 & 522: The Art and Craft of Editing/Dramatic Analysis CON 511 & 512: Master Seminars CON 521 & 522: American Approaches to Film Year One Portfolio Review Second Year Curriculum PRN 610: Thesis Production – Editing EDT 611 & 612: Advanced Editing Workshop EDT 621 & 622: Advanced Art & Craft of Editing EDT 670: Internship Practicum EDT 690: Thesis Portfolio – Editing CON 621 & 622: World Approaches to Film [-]

Master in Producing

American Film Institute
Campus Full time September 2017 USA Los Angeles

Developing in-depth knowledge of all aspects of creative and physical production, Producing Fellows graduate with an ability to think creatively and lead with confidence and authority. [+]

Best Master's Degrees in Film Studies in North America 2017. Developing in-depth knowledge of all aspects of creative and physical production, Producing Fellows graduate with an ability to think creatively and lead with confidence and authority. First year Fellows produce three narrative projects in collaboration with Fellows from other disciplines. They participate with their teams in both creative and production meetings, during which their individual projects are discussed and developed. Producing Fellows also attend weekly workshops and seminars where they learn about the producer's role and responsibilities in the filmmaking process. In the second year, producers team with Fellows in other disciplines to create a short narrative thesis production. Additionally, they are required to develop a feature film or television project as an integral component of their individual thesis portfolio. Producing Fellows also engage in a series of workshops and seminars on all aspects of creative entrepreneurial producing. First Year Curriculum PRN 510: Introduction to Cycle Production – Boot Camp PRN 511: Cycle Production I PRN 512: Cycle Production II & III PRN 521 & 522: Narrative Workshop and Analysis PRN 532: First Year Development Workshop (Second Term) (1 Credit Hour Total) PRO 511 & 512: Producing Workshop PRO 511.1: Producing Workshop (Development) PRO 521: The Art and Craft of Producing: Line Producing/Dramatic Analysis PRO 522: The Art and Craft of Producing: Part 1 – Creative Producing; Part 2 – Understanding Editing for Creative Producing CON 511 & 512: Master Seminars CON 521 & 522: American Approaches to Film PRO... [-]

Master in Film and Television

SCAD - The Savannah College of Art and Design
Campus Full time September 2017 USA Atlanta Savannah Hong Kong Sham Shui Po France Lacoste + 4 more

As a student of film and television at SCAD, you'll acquire diverse technical skills, center yourself as a solid creative and step seamlessly into your professional film career. Our students benefit from an immersive experience in the full spectrum of production roles and responsibilities, focusing on advanced study and practice in both the technical and conceptual aspects of filmmaking. [+]

Film, television and the art of entertainment As a student of film and television at SCAD, you'll acquire diverse technical skills, center yourself as a solid creative and step seamlessly into your professional film career. Our students benefit from an immersive experience in the full spectrum of production roles and responsibilities, focusing on advanced study and practice in both the technical and conceptual aspects of filmmaking. Become a visual storyteller, a multimedia artist and a creative communicator who is fully prepared to step into the professional studio — even before you graduate. M.A. in film and television Available at: - Atlanta - Savannah FILM 501 Technical Elements of Film Production* FILM 502 Conceptual Elements of Film Production* FILM 503 Practical Elements of Film Production* CINE 705 Cinema in Context: From the Fairground to the French New Wave FILM 710 Film and Digital Media Production Technology FILM 717 Postproduction FILM 747 Graduate Seminar in Film and Television FILM 748 Film and Television M.A. Final Project SNDS 701 Sound Design for Film and Video — Directed elective† — Directed elective† — 500- to 700-level elective Total course of study: 45 hours* M.F.A. in film and television Available at: - Atlanta - Savannah FILM 501 Technical Elements of Film Production* FILM 502 Conceptual Elements of Film Production* FILM 503 Practical Elements of Film Production* ARTH 701 Contemporary Art CINE 705 Cinema in Context: From the Fairground to the French New Wave CINE 737 Graduate Seminar in Cinema Studies† FILM 704 Producing for Film... [-]