Master's Degree in Fine Arts in Europe

Top Master Programs in Fine Arts in Europe 2017

Fine Arts

In order to successfully obtain a Masters qualification, you will need to obtain a number of credits by passing individual modules. Most taught Masters will have a number of core modules which you must take and pass in order to obtain the qualification. The assessment of research Masters is almost always entirely by a single dissertation module or project.

A fine arts program offers students the opportunity to study a wide variety of different art mediums. Examples of classes are color theory, 2-D design, animation, 3-D design, printmaking, music theory, computer applications and web design.

Europe, one of the world's seven continents, is usually known as the westernmost peninsula of Eurasia. Second smallest continent, with 10,180,000 (km2), the area regroups 50 countries.

Master's Program in Fine Arts in Europe

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Master of Arts - Media, Art, Design & Tech​​nology

Hanze University of Applied Sciences - Groningen, the Netherlands
Campus Full time September 2017 Netherlands Groningen

What is MADTech (Media, Art, Design & Technology) all about? In a nutshell this is it: artists doing strange things with technology. This means you will embark on a master where anything is possible. You will view and create art in ways you can hardly imagine beforehand. You will carry out experiments, tinkering and playing with technology, ideas and media. [+]

Top Masters Degrees in Fine Arts in Europe 2017. Fine Arts – Media, Art, Design & Technology (MADtech): www.hanzegroningen.eu/madtech What is MADTech (Media, Art, Design & Technology) all about? In a nutshell this is it: artists doing strange things with technology. This means you will embark on a master where anything is possible. You will view and create art in ways you can hardly imagine beforehand. You will carry out experiments, tinkering and playing with technology, ideas and media. You will explore the most outrageous possibilities the combination of art and technology have to offer. Central to this master are your artistic development and attitude towards research. By combining a critical reflective attitude and conceptual skills, you will discover unexpected perspectives, resulting in exciting multimedia works of art. Order our brochure here . Throughout this master you will explore viewpoints from the past, present and future, broadening the way you think and look at the world. You will discover connections between art and science, laboratory and applied research, stable and unstable media, old and new technology, local and global forms of society. This is a collective process: you will share ideas and insights with your fellow students, learning how others see the world. Inspiring each other to look beyond borders and to venture away from the beaten track. At the same time you will extend your knowledge, master new skills and reflect on your role as an artist. This master attracts students from a lot of different backgrounds, countries and cultures. This variety enriches your experience, not only broadening your personal perspective but also giving you the opportunity to build a valuable international network. You will develop your own artistic vision, working in a hybrid practice and taking the opportunity to share your art with the world. Structure Before you are admitted to the master programme MADTech, you will draw up a broad outline of the artistic research you want to carry out. What is it that fascinates you about art and technology? What experiments would you like to carry out? During the admissions procedure you will discuss your ideas with us. Once admitted, your ideas form the start of the next two years. The first year of this master programme is mostly about exploring your chosen field. You will carry out your own experiments, tinker with new technology during creative programming and explore research possibilities in art practices. This is how you will improve your skills and knowledge, getting to know the art practice, creating new concepts and finding out the possibilities of artistic technology research. In your first year you will spend a lot of time in Hybrid Arts Lab, where you will devise and carry out your own experiments. In addition you will attend theory and research courses at the University of Groningen and take part in a joint research course 'Image & Experience in a technologically charged society' with master students of the University of Groningen. There is also plenty of time to discuss the results of experiments, workshops, research projects and your own progress with fellow students, experts and public. Furthermore, you will visit relevant institutions, festivals, workplaces and centres of research: individually or as a group. During your first year you will gradually focus on what you really want to do in the second year. You will develop and refine your research plan, which you will carry out in your second year and which will be the basis of your master thesis. At the end of your first year an assessment of your work will determine whether you are ready to enter the second year. After the 1st year At the start of your second year you will start working on your final project. You will devote most of your time working on this project. You will spend a lot of time in the lab, working on your research project. There will be classes, but less than in the first year. Supervisors will advise and guide you and encourage your progress. Your goal is to realise your research project and write your final thesis. There will be plenty of opportunities to share what you have learned and experienced with others during sessions, discussions and presentations. Depending on what you need, we will ask guest lecturers to contribute to the supervision of your research project. During a series of public dialogues second year students will discuss their work with guest lecturers and others, helping you to improve your work and take it to a next level. During your time with us you will be part of a community where education, research and the artistic practice meet and reinforce each other. For the theoretical component of this master you will attend lectures on relevant subjects like history of art, psychology of art and art philosophy at the University of Groningen. Additional subjects and projects In addition to the regular sessions and classes you will have the opportunity to attend a series of lectures at the University of Groningen about history, art, psychology of art and art philosophy. You will also take part in a joint research course on Research & Development/New Media Art Practices with master students of the University of Groningen. You can also carry out projects of the Centre of Applied Research and other Hanze partners. During your second year you can apply for prestigious awards for excellent students of fine arts, like the George Verberg Scholarship International possibilities In addition to the focus on your final project, you will visit international festivals, like Ars Electronics in Linz and the Transmediale in Berlin. You will also go on an intensive study trip to New York. After graduation As a master of Fine Arts you can continue to set up your own artistic practice, individually or as a member of an artistic collective. [-]

Master Degree in Cultural Heritage

University of Minho - Institute of Social Sciences
Campus Part time October 2017 Portugal Braga

The Master in Cultural Heritage of the University of Minho aims to enhance a training profile with highly specialized skills that enable their graduates to perform research tasks, projects’ coordination and management that value the historical and cultural assets, networking with local and regional development structures, appropriately framed in legal terms and with scientific and professional ethical awareness. [+]

Academic degree: Master ECTS: 120 Duration: 4 curricular semesters Regime: After Working Hours Place: Gualtar Campus, Braga Main Scientific area: History The Master in Cultural Heritage of the University of Minho aims to enhance a training profile with highly specialized skills that enable their graduates to perform research tasks, projects’ coordination and management that value the historical and cultural assets, networking with local and regional development structures, appropriately framed in legal terms and with scientific and professional ethical awareness. The intrinsic interdisciplinarity of the master’s concept justifies the use of the most diverse scientific fields, from Archaeology to Anthropology, passing through Education Sciences, International Relations, Public Administration, Geology, Geography and the New Information Technologies, in addition to History, the main scientific area. This variety of approaches will provide students with skills to solve problems in broader and more suited context, regarding the requirements of the labor market reality. [-]

Master in Printmaking (MA)

Middlesex University London
Campus Full time Part time 1 - 2  October 2017 United Kingdom London + 1 more

With state-of-the-art facilities and expert guidance from some of the UK's leading academics and technical specialists, our course will enable you to explore both experimental and traditional approaches to Printmaking. [+]

Top Masters Degrees in Fine Arts in Europe 2017. Why study MA Printmaking at Middlesex University? At Middlesex we take a highly practical approach to Printmaking that enables you to explore your interests and enhance your skills through experimentation, research and critical analysis. Flexibly designed to meet the ambitions of students from a wide range of creative backgrounds, including illustration, fine art, and design, our course will equip you with the advanced skills, contemporary knowledge and industry insights you need to develop your own practice to a professional standard. Based in our £80 million Art and Design School and taught by a diverse range of Printmaking academics and industry professionals, our course features world-class facilities and specialist workshops fitted with both new and traditional equipment. With opportunities to build industry contacts and exhibit your work off-site, you'll also gain the employability skills, exposure and experiences you need to navigate a successful career path in today's competitive creative industries. Course highlights - Our facilities are among the best in the UK with etching, intaglio, lino, letterpress, stone lithography, screenprinting, ceramic decal and glaze transfers available in a dedicated print workshop with specialist technical support - Access to innovative software and equipment across the School of Art and Design including a 3D printer, large format digital printer, dark rooms, photographic studios, laser cutters and metalwork workshops - An exhibition of your work in central London to create networking opportunities and build industry contacts in a professional environment - Direct access to London's art world with valuable industry links to a range of galleries, printmakers, businesses, libraries and collections that will enhance your research and inform your practice - Access to networking opportunities, world-leading research and expertise through the Art & Design Research Institute (ADRI) on campus - As a student of this course you'll receive a free electronic textbook for every module. [-]

European Fine Art Photography

IED – Istituto Europeo di Design Madrid
Campus Full time Part time 12  April 2017 Spain Madrid + 1 more

The European Master of Fine Art Photography is, at present, the most ambitious training proposal in the field of art photography and aims to become meeting point for artists and professionals, enriching this field in Spain. Practical and innovative, it is a unique programme based on the excellence of its faculty (Martin Parr, Elger Esser, Joan Fontcuberta and Alejandro Castellote, among others). It emerged on the basis of the premise that there exists a European conceptual and creative identity, which can and should be an important reference point in the fields of academia, culture and the art market. In this sense, the participation of students from a range of continents is especially interesting and enriching. [+]

THIS PROGRAM IS TAUGHT IN ENGLISH OBJECTIVES: • To become familiarized with present day photographic production, its subjects and repertoires, artistic practice, cultural value, roots in historic photography and art history, its discourses and limitations, from the perspective of important photographers and theorists. • To learn the main current theories on European photography. • To learn directly and personally from the most prestigious masters ineach area. • To become familiarized with curatorial practices, collectionism, conservation and ways of presentation/dissemination of contemporary artistic photography. • To reflect on the role of photographers in the art market, the field of European photography, the business of leisure, and the world of entertainment. • To experience, through a personal project, what it’s like to create an original work that is appropriate and worthy of being presented in a photography exhibition. • To exhibit and publish the final project in an internationally renowned prestigious center/magazine, through our European partners.• To break into the world of art, through the network formed by the Master’s professors and students, collaborating institutions, curators and directors. METHODOLOGY: We rely on three types of professors: Masters, who are major figures in the European photography scene; professors, who are international artists and theorists of renowned academic quality in the field of photography and visual arts; andtutors, who represent a new generation of photographers with academic and project experience. A fundamental element of the Master’s academics is its orientation towards personal projects and exhibition, as well as personalized assistance. Throughout the process, the close experience with professors and tutors is one of the most enriching aspects of the program. The program’s academics are characterized by their nature of encompassing and concretizing a subject from an initial idea, promoting research, reflection and discussion, and materializing the entire process of creating an artistic piece to be presented in a collective exhibit and catalog. As well, three students will opt to exhibit their work in one of the European centers and festivals connected with the course. Classes include the discussion of texts; projections of the authors’ images and videos; visits to exhibits and artists’ studios; and individual and group exercises. The importance of the personal project in the Master’s requires the participation of specialized tutors to help students develop their work in a personalized way. Technical tutoring involves large-scale, digital laboratories, analog laboratories, printing, and coaching in research and communication of the artistic process. FOR: Photographers with a professional career, as well as artists in the photography industry who want to break into the art world. People with degrees in Fine Arts, Audiovisual Communications, Advertising, Journalism, Art History or Humanities who want to deepen their knowledge of artistic photography. An upper intermediate level of English is required. [-]

Master in Songwriting

Bath Spa University
Campus or Online Full time September 2017 United Kingdom Bath

This is the world’s first and only Master’s Degree in Songwriting. Offered in both attendance-based and distance learning formats, it is aimed at unpublished songwriters wishing to develop their craft to a [+]

Master in Songwriting

 

This is the world’s first and only Master’s Degree in Songwriting. Offered in both attendance-based and distance learning formats, it is aimed at unpublished songwriters wishing to develop their craft to a professional level, and published songwriters wishing to achieve academic accreditation whilst continuing to improve creatively. The course, which is based at the university's Corsham Court campus, will help you to develop a range of critical, practical, communicative, industrial and research-based skills.

 

 

During the programme you will learn to:

Comment critically upon your own and others’ material; Examine the musicological and historical roots of your craft; Consider the commercial value of your songs in the marketplace; Rewrite and collaborate; Conduct academic research; Develop technical skills; Create a professional-standard portfolio of your work. ... [-]

MFA in Filmmaking

EICAR
Campus Full time September 2017 France Paris

EICAR, the only film school in continental Europe with an English language curriculum, offers a two year Master of Fine Arts program in filmmaking with 5 Majors – Directing, Screenwriting, Cinematography, Producing and Editing. The School provides degrees and programs with an emphasis on practical filmmaking experience and team working process. With a class size of 15 students, we favor direct studio work and... [+]

MFA in Filmmaking EICAR, the only film school in continental Europe with an English language curriculum, offers a two year Master of Fine Arts program in filmmaking with 5 Majors – Directing, Screenwriting, Cinematography, Producing and Editing. The School provides degrees and programs with an emphasis on practical filmmaking experience and team working process. With a class size of 15 students, we favor direct studio work and small-group practical exercises where lessons can sink in. EICAR MFA program also integrates a direct understanding of professional responsibilities such as the Producing for a Client class where students are expected to produce a commercial on deadline as a team. Studying in Paris with an international network of professionals EICAR provides an international environment with over 60 nationalities present within the school’s student and staff community. Our international faculty of working film and television professionals has a continuing presence in the industry and are on the front-line of all changes and challenges confronting the film and television business. Because EICAR instructors are not academics but active professionals, they are able to offer a real world, cutting-edge approach to film education where students are prepared to confront and master the latest technical changes and artistic tendencies in the rapidly evolving audiovisual industries. Completing our curriculum’s emphasis on preparing the student for the competitive audio-visual industry is the International Department’s Master Class Lecture Series with its guest speakers, top professionals from the film and television, lecturing on the most recent technical and artistic developments that can’t be found in the textbooks or the classroom. Subjects as diverse as How to Find an Agent, Communicating with your Music Composition, Tips and Tricks for Creative Sound Design, Financing low budget films the Digital Way, are just a few of the recent lectures. The European Master of Fine Arts is a degree-level diploma which is accredited by EABHES, the European Accreditation Board of Higher Education Schools. The Master’s degree is recognized in affiliated Universities and Higher Education Schools and gives students a high level of geographical mobility, in terms both of their studies and their professional activities. They are a genuine European passport for the world of work. Between 60 to 120 ECTS credits are required for the MFA degree. These credits include classes, personal study and internships. A compulsory Foreign Language test is also required for the degree qualifications. [-]

Master of Arts in Visual Culture and Contemporary Art - Visual Culture and Contemporary Art (ViCCA)

Aalto University
Campus Full time August 2017 Finland Espoo

Visual Culture and Contemporary Art focuses on tutoring students to develop and contextualize their own artistic, curatorial or theoretical work. It is open to artists and practitioners with different backgrounds. [+]

Top Masters Degrees in Fine Arts in Europe 2017. Visual Culture and Contemporary Art focuses on tutoring students to develop and contextualize their own artistic, curatorial or theoretical work. It is open to artists and practitioners with different backgrounds. The program explores new forms of artistic production and professional agency within the broader field of contemporary art and visual culture. Theory and practice are tightly interwoven, and emphasis is put on developing each student’s artistic, curatorial and theoretical thinking. The program has two majors: Visual Culture and Contemporary Art (ViCCA) and Curating, Managing and Mediating Art (CuMMA). The ViCCA major works through four focus areas: Sites, Senses and Situations; Words and Spaces; Beings and Things, and CuMMA, of which CuMMA is also a separate major. The CuMMA major focuses on the professional skills needed for curating and mediating art. In both majors some of the courses are also available for the students of the other major. Goal of education (Learning outcomes) ViCCA (Visual Culture and Contemporary Art) is a two-year major, which connects the worlds of art and non-art. Central for the program are new and emergent professional practices, which are born and developed in this new space of cultural production. In the major, art is made and new professional agencies are explored within the broader field of visual culture. Aalto University offers a very good multi-scholarly context for this. The art of our times works increasingly in interaction with research, planning, activism and public debate. The goal of the ViCCA major is to explore and develop systematically these new territories and modes of artistic work. Art in supermarkets, art claiming parks and experiments of artistic research are, for example, central for many artists of today. This motivates having teachers in the program not just from the arts but also from e.g. philosophy, social sciences and urban research. Sensing, experientiality, and experimentality have a key role in the studies as methods of gaining knowledge and creating art. The strong theoretical base together with a multi-artistic framing of creative work gives concrete tools for working in many new professions in contemporary society in addition to those in the fields of art, production and culture. Students also learn literacy and skills in other arts than the one they originally were experts in. The program offers holistic views and skills on how to extract knowledge out of professional experience. The Major is tailored for artists and professionals of arts and scholarship who want to develop their own professional agency and broaden their way of looking at the world and its phenomena by using artistic tools. It offers a study path for students to reflect on their professional role in new ways through arts and visual culture. The Major offers great opportunities to develop research abilities and a sense and taste for artistic and critical thinking. For artists, the program offers an opportunity to broaden their professional identity and to create new ways of working, and new forms of professionalism. ViCCA Major learning outcomes: Content outcomes: Students learn to rethink and reshape their relation to the world and lived environment through artistic means Students have a wide understanding of contemporary and emerging artistic practices Students comprehend visual culture beyond the visible and theory beyond the academic Students have a creative understanding of the possibilities of art as a tool in social contexts and environments Skill outcomes: Students learn to enrich their competence in their own practice, media or field Students learn to reflect on their own practice in relation to those of other fields Students acquire an experimental attitude and tools for utilizing it Students have concrete experience of projects where theoretical thinking and artistic practice merge Academic skills: Students have comprehensive research skills, which prepare them also for doctoral studies Education content Studying in ViCCA consists of theory workshops, experimental laboratories, concrete projects and a thesis. In the Major here are four different modules for advanced special studies: Sites, Senses and Situations, Words and Spaces, Beings and Things, and Curating, Managing and Mediating Art (CuMMA), of which CuMMA is also a separate major. The student can build her/his package of studies quite freely, choosing from different modules, or just focusing on one. Advanced Special Studies Sites, Senses and Situations offers a framework for exploring and discussing our lived environment, focusing on sensory perception and issues related to space, site and social context. Spaces and environments are studied through artistic practices from both contextual and experiential points of view. We observe our environment on multiple levels and seek to actively engage with it. Interventions in public spaces and institutions, participatory projects and spatial experiments are among the methods used. Through our multidisciplinary approach we encourage students to explore new forms of artistic practice and collaboration. Words and Spaces views theory beyond the academic and as something embedded within artworks. How can philosophy, adventures in artistic research, and working hands on with words and images be newly relevant in the changing world we live in? We experiment with the materiality, transparency and metaphorics of language and explore especially its role and potentials in contemporary art and artistic research. Criticism, fiction, experimental writing and textual performance are among the methods we use in exploring the margins, boundaries and contexts of artistic work. Beings and Things provides a platform for discussion and investigations into how we might rethink and reshape our connections to the living world – as part of that world. We probe, for example, the intersections of objects, microbes, resonances, human and non-human life forms. We focus on inter-relational and sensorial levels of life and on phenomena that are not necessarily consciously observed or sensed. We might talk about “aesthetics of atmosphere” and “sense-sphere”. Beings and Things trains the students to become facilitators of new modes of creative/artistic practice ranging from building to breathing, from fermentation to fragmentation. Curating, Managing and Mediating Art, CuMMA, provides a structure for reflection and acting, learning and organizing in art institutions and the public sphere. We aim to explore possibilities to understand and shift the paradigms of contemporary art and the world around us. Thus we understand curating, educating and organizing as ways of being active, of creating relations and of being open for unexpected encounters, thoughts and knowledges. The Major offers its student a broad variety of minor studies, which are available in the School of Arts, Design and Architecture and other schools of Aalto University. This combination of design, media, economics and technology as a part of the visual culture and contemporary art The Major opens up new professional career paths. Career opportunities Students that graduate from the program can work in a variety of already existing professions in the field of arts and culture. Besides this, the program encourages students to build their own creative positions and professional agencies in the multi-faceted, constantly changing and multi-disciplinary world. The students who have a background outside of visual culture and contemporary art enrich their own fields of expertise with a new point of view – and a broad array of new methods of working with it. Titles Students graduating from the ViCCA programme may work as artists, producers, researchers, scholars, third sector activists and in think tanks – and in a range of new professions yet to be imagined. Internationalisation The Major is international and the main language of teaching is English. The Major is well connected to international networks, which are constantly built up and developed. Through these networks students have a possibility to do a training abroad or to study a part of their diploma in other countries with the help of exchange agreements. Admission procedure Applicants for the Master’s Programme in Visual Culture and Contemporary Art; Visual Culture and Contemporary Art (ViCCA) apply in the Master’s level admissions in the field of Art and Design. The students are selected through a two-part examination, of which portfolios form part 1, and interviews/presentation part 2. Criteria for selection are skills and background knowledge, suitability for the program and the field of work the program is built for, and suitability for university studies. [-]

Master in Curatorial Practice

IED – Istituto Europeo di Design Venice
Campus Full time 12  March 2017 Italy Venice

The Master in Curatorial Practice promoted by IED Venice is a program dealing in a complete and pragmatic way with the exhibition design direction and management related to the art field and beyond, training professionals ready to enter with full rights the art industry. [+]

Target This study path is designed for post-graduate students coming from all over the world who want to specialize professionally in the curatorial sector, including museums, galleries, fairs or for auction houses. Previous study in the field of Arts and Management are desirable, but not essential. Methodology and Structure The curriculum of the course consists of surveys of modern and international contemporary art, as well as close consideration of visual arts institutions and practices, training in exhibition organization and public programs in museums and not-for-profit galleries, commissioning, writing, publishing and commercial gallery activity. The teaching combines lecture-based courses, self-initiated research, seminars, site visits, and collaborative work. It also involves the realization of a project in partnership with a national pavilion at the Venice Biennale. The duration of the Masters program is divided as follows: seven months of lectures, lab activities, museum and gallery visits, integrated with individual study, project development and three months dedicated to the elaboration of a final Thesis Project that can be undertaken alone or in a group. The Masters program has a very pragmatic approach, providing students with methodology and a step-by-step path that will lead to the realization of an exhibition project. For that reason its structure is divided into 3 main parts: - AREA 1_THEORY The first part provides students with solid introduction to the history of post-WW2 modern and contemporary art, and a critical analysis of recent trends. The history of exhibitions is analyzed in the light of museology, leading to a consideration of current curatorial strategies. - AREA 2_SKILLS AND EXPERTISE The second part is concerned with specific expertise and skills required to develop an efficient working practice in fields of exhibition organization and management, also placing emphasis on audience development through marketing and learning, writing – as required for publication, fundraising etc – and off-site activity. Driven by renowned professionals, this area will be relevant equally for those wishing to pursue careers either in not-for-profit or commercial art worlds, in auction houses or art fairs, commissioning the production of new art work in museums or in the public realm. - AREA 3_PRACTICE The third part is the realization of a curatorial project, starting from an idea to its concrete realization. They will moreover live the experience of the next 57th International Art Exhibition managed by La Biennale of Venice from a special point of view, and special week inside the main cultural institution located in the city. [-]

MASTER IN FINE ART - THEATRE DIRECTING

The Lir National Academy of Dramatic Art at Trinity College Dublin.
Campus Full time Part time 12 - 24  September 2017 Ireland Dublin + 1 more

This programme is tailored to provide talented individuals with the necessary skills to pursue a career in the professional theatre and related industries. [+]

Top Masters Degrees in Fine Arts in Europe 2017. This programme is tailored to provide talented individuals with the necessary skills to pursue a career in the professional theatre and related industries. In addition to the core classes and workshops, individual and group tuition from The Lir’s Head of Directing will be a key feature of the training. In addition, master classes by visiting practitioners will supplement the student experience. Professional placements are a key feature of the programme and all students will showcase their work in public performances at the culmination of the course. Students can opt to take this course either part-time (24 months) or full-time (12 months). Full-time and part-time students will take three concurrent modules in the first two terms. The final module (Module 5) will be taught in the third term and subsequent summer months (for full-time students) or in the second year of the course (for part-time students) and will culminate with a professional production staged in one of The Lir’s performance studios. Term Three will be supplemented by an ongoing series of master classes from professional directors and theatre makers. On completion of this postgraduate degree, you will qualify and graduate from Trinity College Dublin, The University of Dublin Application Details THE APPLICATION PROCESS FOR ENTRY IN 2017 HAS NOW OPENED. In addition to the information required on the online form, you are also required to upload a copy of each of the following: a) a letter that outlines the applicant’s theatre education and highlights the applicant’s theatre directing experience to date. b) a ‘statement of purpose’ that refers to the applicants ambitions in terms of theatre directing. c) a résumé (CV) d) a portfolio of your work including a critical assessment of recently directed work e) two references/testimonials from those familiar with your work and/or third level education f) personal statement with a financial plan which indicates clearly how you intend to finance yourself if successful in gaining a place on the course. Modules Contemporary Theatre Practice This compulsory module will introduce students to a range of contemporary theatre practices. It will focus on Irish and international artists and companies, with a particular emphasis on contemporary productions staged in the theatres of Dublin. The principal aim of the course is to enable students to become conversant in the styles, forms, theories and practices that constitute contemporary theatre making in Ireland and across the world. The Contemporary Theatre Practice module is shared by all Master in Fine Art students (directors, designers and playwrights). Directing Workshop In this compulsory module students will investigate various directing processes in a workshop format. Students will work with The Lir’s Head of Directing and visiting directors, as well as professional and student actors. Students will receive both group feedback and individual tuition in the development of their craft. Workshops will cover such areas as: text and a creative world-view; developing an awareness of the professional directing context; developing an explicit, personal aesthetic; working collaboratively with actors and other artists. This module also outlines career development and provides a constructive framework for group and self critique. It introduces research skills and rehearsal etiquette by working in a professional environment. The overall aim of this module is to prepare students to direct a play in the Theatre Production Module. Theatre Production This compulsory module aims to enable students to apply the skills acquired in the other Modules to the development of their individual creative voice and practice, and in the direction of a theatre performance of between 30-60 minutes which will be showcased to the professional industry as part of The Lir’s on-going programme of public performances and events. Each student will be individually supervised in pre-production, rehearsals, tech and public performances throughout Term Three and over the summer months. Two Assistant Director placements working alongside professional theatre directors will form a key component of the preparation for the final production. Dramaturgy for Theatre Directing This elective module is taught by a professional dramaturge. Its aim is to introduce students to a range of dramatic texts for the theatre with an emphasis on the dramaturgical composition of those texts. An understanding of the contexts within which those dramaturgical strategies were produced will also be fostered. This seminar-based module requires students to examine key problems related to the creation and structure of scripts for performance. Students will consider a variety of theories regarding dramatic structure, consider the research requirements of script creation, explore different approaches to script development and learn to apply a dramaturgical vocabulary to a number of case studies. Similar to the Contemporary Theatre Practice module, Dramaturgy is shared with MFA playwriting students (for whom it is a compulsory module) and MFA design students (for whom it is an elective module) and is supported by specific tutorials focusing on each individual strand of the MFA programme. Throughout the training students will be develop skills of the practitioners of theatre other than the theatre director, with a view to them becoming proficient in and conversant with the creativity of others, and to enhance the craft of the student director by broadening their experience of theatre making. Students will explore the crafts of the actor, designer, stage manager, production manager and stage technician through workshops with teachers and professionals in the various disciplines. [-]

Master in Choreography

Fontys University Of Applied Sciences
Campus Part time September 2017 Netherlands Tilburg

In September 2011 the Dance Academy started with a two-year, part-time English HBO Master in Choreography. The course is designed to accommodate the needs of choreographers working in amateur, educational and professional fields; self-employed, freelance, or as [+]

Master in Choreography

 

Dance Academy

Fontys School of Fine and Performing Arts Tilburg

 

In September 2011 the Dance Academy started with a two-year, part-time English HBO Master in Choreography. The course is designed to accommodate the needs of choreographers working in amateur, educational and professional fields; self-employed, freelance, or as employees of a professional company, academy, agency, institution or university. The programme focuses on the teaching of concepts, theories and principles in support of creative processes and offers a unique opportunity to extend creative, conceptual and intellectual skills, knowledge and attitudes.... [-]


MFA Creative Writing

University of East Anglia Faculty of Arts and Humanities
Campus Full time August 2017 United Kingdom Norwich

The Creative Writing programme at UEA was the first of its kind in the UK, and is distinguished by the unrivalled success of its alumni. We introduced the first MA in 1970, the first PhD in 1987, and students now join us from all over the world. [+]

Top Masters Degrees in Fine Arts in Europe 2017. The Creative Writing programme at UEA was the first of its kind in the UK, and is distinguished by the unrivalled success of its alumni. We introduced the first MA in 1970, the first PhD in 1987, and students now join us from all over the world. In 2011 we were awarded the Queen's Anniversary Prize for Higher and Further Education in recognition of our continuing excellence in delivering innovative courses at a world-class level. Our MFA Creative Writing builds on our extensive connections with publishers and agents, meaning that our students will graduate fully equipped to launch their careers as publishing writers, and will have sufficient training and experience to support their writing careers as teachers of writing. Over the duration of two years, the first year of the MFA will be coterminous with our existing MA Creative Writing Prose Fiction, offering all the benefits of the workshop-based approach to teaching writing, while the second year will be structured on the model of the PhD, offering one-to-one supervision of works-in-progress and culminating in the submission of a full-length work for assessment. Additionally, the MFA is an entry-level qualification for a career in academia in the USA, giving many graduates the opportunity immediately to pursue roles in teaching at undergraduate level. The MFA presents an alternative to a PhD, requiring fewer years out of employment, and offers the possibility of completing a work of publishable length (60,000 words or longer) under supervision, which will enable you to take full advantage of the excellent links we maintain with literary agents and publishers, many of whom visit the campus to talk to students during the programme. How many classes will I attend? In the Autumn and Spring semesters of your first year, you will attend the weekly workshop and an accompanying optional module. Your work will be peer-reviewed six times in the workshop, and on each occasion this will be followed by a one-to-one tutorial with your workshop tutor. In the follow-on individual meetings with your tutor there will be an opportunity to discuss your work and your ambitions for your writing in greater detail. Your optional module may also be practice-based, offering further opportunities to submit creative work in a critical context, or may be chosen from the full range of scholarly and critical modules offered in the School of Literature, Drama and Creative Writing. In the post-Easter dissertation period you will be assigned an individual supervisor for a series of one-to-one tutorials, and will attend a series of weekly presentations from visiting agents and publishers. The second year is taught on the model of the PhD and comprises a series of regular editorial meetings with your supervisor to discuss your work-in-progress. In the Autumn semester you will also follow a course of teaching training, supplemented with classroom observation, and in the Spring you will be offered an opportunity to teach on the undergraduate Literature and Creative Writing programme. Will I receive individual tutorials? Yes, in the first year you will have individual meetings with your workshop tutor each time your work is peer-reviewed, followed by a series of one-to-one tutorials leading into the summer recess. The second year is structured around a series of eleven individual tutorials. These meetings will allow your supervisor to provide constructive editorial feedback on your work-in-progress and answer any questions you may have. How often will my work be seen by my tutors? Including workshops, tutorials and the double-marking of assignments, your work will be read and commented upon by faculty members around 35 times over the course of the MFA. There will often also be opportunities to show your work to visiting writers, such as our UNESCO professors, who have recently included the novelists Ali Smith, James Lasdun and Margaret Atwood. I’ve already taken a BA in Literature and Creative Writing, and attended other writing workshops. What can this course offer me? During the course your work-in-progress will be regularly and constructively critiqued by other writing students of an extremely high calibre and by experienced tutors on the UK’s most successful writing programme. In the peer review of your classmates’ works-in-progress, you will become practiced in key critical and editorial skills that you will then bring to bear on your own works-in-progress. Over the two years you will have numerous opportunities to meet literary agents and publishers, and on completion of the MFA you will be ready to approach them with a complete draft of a novel or collection of stories. You will also graduate with experience of teaching at undergraduate level. [-]

Master of Fine Arts (MFA) in Creative Writing

American College Dublin
Campus Full time September 2017 Ireland Dublin

Based in the childhood home of Oscar Wilde at 1 Merrion Square and delivered in association with the Irish Writers’ Centre, the Master of Fine Arts (MFA) in Creative Writing offers aspiring or published writers a one-year course of study which examines the process and practice of producing prose fiction. [+]

Master of Fine Arts (MFA) in Creative Writing Based in the childhood home of Oscar Wilde at 1 Merrion Square and delivered in association with the Irish Writers’ Centre, the Master of Fine Arts (MFA) in Creative Writing offers aspiring or published writers a one-year course of study which examines the process and practice of producing prose fiction. The work of the last two years’ classes has included pieces that were shortlisted for the Penguin Ireland Short Story Competition, twice longlisted for the Fish Short Story Competition, and two students who were selected as finalists in the IWC Novel Fair. Within a critical workshop and mentoring format students are provided with tuition and advice in completing either a novel or a short story collection. Consideration is given to the intellectual, psychological, economic and cultural influences that underpin and drive the creative writing process. The course also emphasizes the business and professional environment of writing, with seminars presented by agents and publishers and master classes by established writers. The programme provides the student both with expert guidance in producing a substantial written work of publishable standard, and with a comprehensive understanding of the theoretical and practical requirements of successful participation in the activity of writing, whether as a professional career or as part of a lifelong personal commitment to creative endeavour. A graduate of the programme will be in a position to consider submission of a complete and polished work to a literary agent or publisher. He or she will also be prepared for participation in a range of complementary fields such as journalism, publishing, editing, online writing, advertising, marketing and teaching. The degree develops a broad spectrum of transferable skills, including advanced and adaptable writing techniques, informed responsiveness to critical and editorial commentary, self-management and organizational competencies, and a high level of expertise in understanding and locating creative work within a historical and critical context. These skills are applicable not only in careers that draw directly on the ability to write creatively, but also in a wide array of related business, cultural and social activities such as keeping a web page, blogging, advocacy and grant writing, criticism and commentary. Finally, the degree highlights the beauty and, amid such suffering as is necessary, the joy of creative expression. Regardless of the particular path a graduate follows, he or she will leave the programme with an enhanced, lifelong appreciation of the manifold intellectual and emotional benefits and consolations to be found in the practice of creative writing. Sean O’Reilly Sean O’Reilly teaches the novel workshop and the module on the craft of creative writing on the MFA in Creative Writing. Sean O’ Reilly grew up in Derry, Northern Ireland. His work includes the short story collection, Curfew, and the novels Love and Sleep and The Swing of Things and the experimental erotic novella, Watermark. He is a contributing editor to the literary magazine, The Stinging Fly. Mike McCormack Mike McCormack teaches the short story workshop on the MFA in Creative Writing. Born in 1965, Mike McCormack comes from the west of Ireland. He is the author of one collection of short stories, Getting it in the Head (1996), and two novels, Crowe’s Requiem (1998) and Notes from a Coma (2005). In 1996 McCormack was awarded the Rooney Prize for Irish Literature. Getting it in the Head was chosen as New York Times Notable Book of the Year in 1998. In 2006, Notes from a Coma was shortlisted for the Irish Book of the Year Award. In 2007 he was awarded a Civitella Ranieri Fellowship. The Irish Writers’ Centre The MFA in Creative Writing is delivered in association with the Irish Writers’ Centre, based at 19 Parnell Square. The Irish Writers’ Centre has long been a hub of literary activity in Dublin, supporting established and aspiring writers throughout Ireland from its location in what Joyce called 'the heart of the Hibernian metropolis.' It is a non-profit organisation, aimed at promoting literature and writers in Ireland. Since it was founded in 1987, the Irish Writers’ Centre has welcomed many award winning writers through its doors, including Nobel, Costa, Man Booker, IMPAC, and Pulitzer Prize winners. It has also served as an important platform for breakthrough talent, with many young writers giving their first public readings at the Centre. The Irish Writers’ Centre has considerable experience and expertise in teaching and promoting creative writing. These qualities, allied with American College Dublin’s long background in liberal arts higher education, have informed the development of the programme and provide ongoing support for it. The Centre serves as a space for programme events and presentations, facilitates MFA students in establishing contacts with agents, publishers and other key figures in the publishing industry, and provides a context for students to engage and interact with the Dublin and Irish writing community. All MFA students are required to be members of the Irish Writers’ Centre during the year of their registration on the programme and are encouraged to enter into its culture and activities, both during the course and in the years beyond. Additionally, as a general principle, students are encouraged to draw on the observations and other writerly enjoyments and inspirations that attend the experience of travelling the paths, by-ways and spaces that link Merrion and Parnell squares. Course Schedule The MFA in Creative Writing consists of a variety of taught classes, workshops, and a culminating final project, which is a substantial portion of a novel or a collection of short stories. All modules are mandatory, with the exception of one of the writing workshop classes in the first semester; novelists are required only to take the novel writing workshop and short story writers are only required to take the short story workshop, not both (however, though attendance in both is not mandatory, any student is wishes to participate in both is welcome to do so). The creative writing project is developed throughout the course of the programme (indeed, some students may come to the degree with work already in some stage of completion which is developed in the programme) and is completed during the summer, with a submission date in the first week of September) Semester 1 Imagination and storytelling Writing workshop 1: the novel Writing workshop 1: the short story The writer as critic The craft of creative writing Semester 2 The business of writing and publishing Writing workshop 2 Masterclass in fiction writing Creative writing project Course Requirements An honours bachelor degree in a cognate discipline may be an advantage but is not a necessity for entry to the Master of Fine Arts in Creative Writing. The principal requirements for admission to the programme are demonstration of a sufficient interest in the activity of creative writing and furnishing of evidence of an ability to undertake and benefit from a course of master’s level study and tuition in creative writing. An applicant for the MFA should submit to the Admissions Office a statement of approximately 750 words of his or her interest in undertaking the course and a portfolio of his or her prose writing. The portfolio may consist of a single piece of writing or of a collection of up to four samples; the entire length of the portfolio should be approximately 3000 words. The applicant will also be required to attend an interview (in person or by means of the internet). Career Skills Along with academic knowledge that students receive throughout the duration of their chosen subject, students will also acquire and develop transferable career skills from their degree discipline. These skills along with potential career paths are provided below to give you a well-rounded view of what the course has to offer. These skills include: Advanced skills and competencies in written communication Advanced skills and competences in academic research Detail-oriented Creativity Self-management Organisational competencies Critical and editorial commentary Graduates of MFA in Creative Writing will be prepared to participate in a range of complementary fields including: Journalism Publishing Editing Online writing Advertising Marketing Teaching [-]

Master in Moving Image and Sound

Norwich University of the Arts
Campus Full time August 2017 United Kingdom Norwich

The media industries are driven by high energy creative thinking and the potential of evolving technologies. The course is responsive to these industry expectations and will equip students with the [+]

MA Moving Image and Sound

The media industries are driven by high energy creative thinking and the potential of evolving technologies. The course is responsive to these industry expectations and will equip students with the professional, practical and conceptual skills to engage in a range of employment possibilities.

MA Moving Image and Sound is delivered through an experienced academic and technical staff team to support those looking to expand their professional skills and technical abilities, as well as gaining confidence in contributing to current practice through innovation in concept and approach. Depending on your chosen specialism the course will support you in engaging with audio-visual production, motion graphics, sound, traditional and CGI 2D and 3D animation, character and asset development for games, scripting and narrative, and skills in pre- and post-production work.... [-]


Master Programme in Painting and Drawing

Accademia Riaci
Campus Full time October 2017 Italy Florence

The Master Course in Painting and Drawing in Accademia Riaci is an intensive course of study. We seek advanced students who are highly motivated, self-directed, and committed to the disciplines of painting and drawing. [+]

Master Program in Painting and Drawing

Taught in Italian or English

 

The Master Course in Painting and Drawing in Accademia Riaci is an intensive course of study. We seek advanced students who are highly motivated, self-directed, and committed to the disciplines of painting and drawing. Our Master students work closely with a dedicated faculty of many professors who, in their own work, represent a broad range of contemporary painting and drawing.

 

We encourage the cultivation and examination of each student’s individual vision within the discipline. Instruction is conducted primarily by the tutorial method. Candidates work independently in their studios with oversight provided by faculties. At the end of a year, the faculties meet with each student to appraise progress towards the diploma. These tutorials are supplemented with graduate classes. A Seminar is also offered, which focuses on diverse issues and fosters interaction among Master students across studio disciplines. A comprehensive education in drawing and painting stresses both breadth and depth.... [-]


Masters - Graphic Design And Illustration

Idep Barcelona
Campus Full time October 2017 Spain Barcelona

Today, graphic design activity is closely linked to the illustration, since this is a resource within contemporary art, with its own visual language, it empathizes more directly with the consumer. [+]

Top Masters Degrees in Fine Arts in Europe 2017. Today, graphic design activity is closely linked to the illustration, since this is a resource within contemporary art, with its own visual language, it empathizes more directly with the consumer. The process of construction of an editorial object or a brand image must often add creative versatility of illustration, where the link between art and design is becoming more diffuse but rather the more essential to develop innovative communication projects . Therefore, to create a graphic product, besides knowing its processes and methodological fundamentals of design, typography and image, add new skills illustration with the graphic designer must become capable of creative take charge of projects where classical drawing techniques converge with the latest technologies. Today there is already a new generation of graphic artists-illustrators professionals who have carved a niche in all creative fields (such as architecture or fashion), reinventing concepts and trends, to become an indispensable link to the validity of these sectors. GOALS This master is designed as a specialized course in order to equip students with the skills needed to develop large projects graphics and visual quality, from the original order to final evaluation of the objectives, while It offers a comprehensive training in Illustration seen as a tool of new communication strategies in the field of graphic design. Thus, the present curriculum provides a practical way a complete expertise in implementing projects of graphic design print (editorial and identity) as well as deepen the concept of the Enlightenment applied to different media and creative activities, learning the different techniques and ways of approaching each project. At the end of the program each student will have material to develop a personal book to present their work in a professional environment and contests and competitions. Also a round table with illustrators, companies that hire the services of illustration and APIC (Professional Association d'Il·lustradors de Catalunya), to guide the potential job opportunities will be developed. Addressed to Graduates, graduates and other candidates with experience in drawing, graphic design and software creditable by academic curriculum and / or portfolio. Otherwise, you must take the Graduate / basic course in Graphic Design. Access and Degree Access university degree (bachelor or graduate degree) and internal selection process. own master's degree awarded by the Universitat Abat Oliva CEU is obtained. Curricular Itinerary This master's degree is the result of combining the academic curricula of postgraduate Advanced Design Illustration and Graphic Design Applied to. [-]