Part time Master's Program in Art History

Best Part time Master's Programs in Art History 2017

Art History

A Masters degree gives you the opportunity to either further your understanding of a particular question or take off in a completely different way using skills you have gained from your previous undergraduate degree.

The master in Art History encourages students and develops skills to understand the historical context of art works, to have a critical analysis, and be able to do interpretive reading of both works of art and academic texts.

Part time Master's Program in Art History

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Contemporary Art Conservation - 1st Level Master Degree

IED – Istituto Europeo di Design Venice
Campus 12  March 2017 Italy Venice

The issue of Contemporary Art Conservation is at the center of crucial debates and unceasing controversies. The diversity and originality of used materials, the ephemerality and perishability of some art works, the use of new media and, last but not least, the immateriality of some performances and happenings make this field a continuously and rapidly evolving ground where well prepared specialists ready to deal with this wide and inestimable patrimony are definitely missing. Starting from here and from the individual peculiarities of each Campus, Accademia di Belle Arti Aldo Galli – IED Como and Istituto Europeo di Design Venezia, signed a partnership which proposes an ambitious Higher Education project: the Master in Contemporary Art Conservation, a program focused on the contemporary art works conservation and restoration of materials used for its production. [+]

Best Part time Masters Degrees in Art History. THIS PROGRAM IS TAUGHT IN ENGLISH This Master program in Contemporary Art Conservation is opened to graduates who want to acquire theoretical and practical specific preparation in the field of contemporary art conservation, interested to operate in a dynamic and evolving sector. Previous studies in fine arts academies and schools of restoration could be considered as an asset, but not a prerequisite to access the course. Methodology The course is divided into two modules, characterized by a specific course of study, strictly related to the peculiarity of the venue in which it takes place: Venice and Como. In the I° Module, the courses offered by IED Venice provide students with an original preparation in the field of arts and conservation, interchanging lessons in class with visits and meetings, so to understand the concrete application of theoretical concept analyzed in class. A focus is dedicate on the criticality related to the movement and the management of the contemporary artwork, to the legal aspect and the valorization of cultural heritage. In the II° Module, the possibility to operate in the technical laboratory of Accademia Aldo Galli-IED Como, will offer a concrete preparation in the field of restoration, through workshop and practical experience able to prepare students to understand the artworks peculiarities and how to operate on them. A specific training period is scheduled at the end of the course and will contribute to the definition of the final thesis project. [-]

Master Degree in Communication, Arts and Culture

University of Minho - Institute of Social Sciences
Campus Part time October 2017 Portugal Braga

The Master's degree in Communication, Arts and Culture offers a multidisciplinary training that integrates and merges the theoretical and methodological approaches of arts, communication and culture. [+]

Academic degree: Master ECTS: 120 Duration: 4 curricular semesters Regime: After Working Hours Place: Gualtar Campus, Braga Main Scientific area: Communication Sciences & Sociology The Master's degree in Communication, Arts and Culture offers a multidisciplinary training that integrates and merges the theoretical and methodological approaches of arts, communication and culture. These areas, closely linked, not only summon consolidated technical and scientific specialties, but also involve economic and social activities booming. The degree presents a consistent program in the fields of culture, media and society, emphasizing the relationship between the media, politics and society, the uses and the economic potential, imagery and artistic production, the conceptualization of digital art, the relationship between the internet, art and culture, the formation of individual and social identities and intercultural relations. [-]

Master in Liberal Arts

University of St. Thomas
Campus Part time 2 - 4  Open Enrolment USA Houston

The Master in Liberal Arts degree at the University of St. Thomas is an interdisciplinary graduate degree that offers you choice, freedom and flexibility. [+]

The Master in Liberal Arts degree is an interdisciplinary graduate degree that offers you choice, freedom and flexibility. Choose from 18 different areas of study to customize a degree program that fits your interests and goals.

Choice – Freedom – FlexibilityThe 36-credit-hour Master in Liberal Arts (MLA) program appeals to a diverse group of students who seek professional advancement, admission into doctoral programs or personal enrichment. We offer conveniently scheduled classes. Enhance your degree through study abroad and internship opportunities.

Areas of Concentration

Applied Music Art History Catholic Studies Communication Drama English French General Psychology History International Studies Irish Studies Interdisciplinary Studies Medieval Studies Philosophy Political Science Russian Studies Spanish Social Justice Studies Theology ... [-]

MA in Historical, Literary & Cultural Studies (Research)

Radboud University
Campus September 2017 Netherlands Nijmegen

The Research Master's programme prepares you for an international academic career, whether it is the history of Europe, the development of modern European literature or the art of Rome that fascinates you. [+]

Whether it is the history of Europe, the development of modern European literature or the art of Rome that fascinates you, the Research Master's specialisations are an excellent choice for talented students who want to prepare themselves for an international academic career.

Specialisations

You can choose from the following English-taught specialisations: Historical Studies Literary Studies Art and Visual Culture

Course programme

All three Master's degree specialisations have a similar structure which contains the following elements: Theory of scientific research in Humanities 5.0 EC Methods and Techniques in Humanities 5.0 EC Contemporary Debates in Humanities 5.0 EC Academic Writing. 5.0 EC Key Texts for Humanites 5.0 EC Research seminar 5.0 EC Research paper and proposal 5.0 EC Master's thesis and colloquium 30.0 EC Plus disciplinary courses and research stay/internship abroad 55.0 EC ... [-]

Master in Humanities: Critical Studies in Art & Culture (research)

Vrije Universiteit Amsterdam
Campus September 2017 Netherlands Amsterdam

The Research Master’s in Critical Studies in Art & Culture is a two-year programme which will enable you to develop into a professional researcher. The programme deals with ... [+]

Master in Critical Studies in Art & Culture (Research)

This two-year programme is unique in the Netherlands. With special emphasis on methodological and theoretical issues, it interrelates perspectives from art history, media studies, design studies and architectural history. It fosters the acquisition of knowledge, analytical skills and a capacity to critically reflect on historical and contemporary developments in the cultural industries. It centers on the analysis of “visual objects” (from landscapes, cities and buildings to artworks in various media, film, television, design and games) in their social, institutional, economic and ideological contexts. The programme is taught in English.... [-]


Master In Archaeology And History Of Art

University of Cagliari
Campus October 2017 Italy Cagliari

Graduates will be qualified to work at levels of high competence in museums, Superintendents, specialized libraries in Archaeology and Art History, local authorities and various institutes engaged in research and enhancement of archaeological, historical and artistic ... [+]

Graduates will be qualified to work at levels of high competence in museums, Superintendents, specialized libraries in Archaeology and Art History, local authorities and various institutes engaged in research and exploitation of the archaeological, historical and artistic heritage. final test characteristics The final examination for the award of the qualification in the exposition will consist of a written paper on a novel topic to be agreed with one of the teachers of the course. The report must have a contributory and non-compile-and will have to be longer than 2000 characters in 50 folders. Through discussion, the candidate will be able to demonstrate the specialized level of knowledge and skills acquired in the single discipline and within the subject area concerned, with attention to related areas. Skills required for access For access to the degree required a substantial initial preparation in possession of basic knowledge in the field of archeology, art history, history, laws of the Cultural Heritage and basic computer skills already acquired before the assessment of individual preparation, preferably through an undergraduate program in cultural heritage. In particular, students must have completed at least 12 credits in the field of historical disciplines; at least 12 credits in the field of ancient and medieval civilization; at least 60 credits within the disciplines relating to the historical archaeological and artistic heritage, archive and library, social anthropology and environmental; at least 6 credits in the context of the legislation and management of Cultural Heritage. For testing a multiple choice quiz testing is planned in a manner that will be appropriately defined in the academic regulations of the course of study. Title conferred degree in Archaeology and Art History Language / and official teaching, and assessment of the preparation ITALIAN Applying knowledge and understanding Graduates from the Master's degree course must have been formed in both new methods and techniques of archeology in both traditional and historical disciplines. Graduates will be able to apply their knowledge in the approach with unfamiliar issues included in wide-ranging contexts related to their field of study. They will know how to analyze and thoroughly reconstruct the historical and cultural dynamics in relation to production, tradition and promotion of sites and archaeological and historical artifacts, according to advanced methods from the point of view of scientific and technological innovation. Graduates in Archaeology will be able to use new and bibliographic data to interpret stratigraphic excavation, the living environments, worship and funeral, in relation to urban or rural settlements; classify artifacts from the typological point of view and chronological; categorize and file the archaeological material; survey the archaeological remains and to determine their membership in the different production areas and different artistic styles. The graduate in Art History will be able to use unpublished data and bibliographic data to interpret the different phases that contribute to the definition of art as a whole; classify artifacts from the technical and formal point of view, chronological and stylistic; categorize and file the art historical material; assess the impact and opportunities of the restoration work. Each may take action at the regional, national and international, and to take responsibility for management in person of a research project, or inclusion in a collective project, aimed not only to scientific knowledge, but also to the restoration and enhancement of masterpiece. As part of each course are planned seminars and workshop with the active participation of students and verifiable. Knowledge and understanding Graduates from the Master's degree course must have been formed in both new methods and techniques of archeology in both traditional and historical disciplines. Compared to the educational level of the three-year degree in Cultural Heritage, graduates will have acquired more in-depth knowledge and understanding related primarily to the definition of the historical context and material in relation to the archaeological, historical and artistic heritage, and the application of more advanced methods census, cataloging, analytical study, interpretation and comparison of the relevant contexts and artifacts. They will also be able to come up with original ideas in a research context and will give proof that those skills in the final exam graduation. Learning ability Learning skills will be estimated through intermediate, diversified checks according to the teaching type, which will allow to evaluate the correspondence between the estimated time and the actual time invested by students in relation to learning provided. The teaching will be set up to enhance the selective and comparative skills for the acquisition of a learning method. Verification of income will also be made through scheduled to run testing, comply with the procedures established by the academic regulations of the course. Graduates possess skills to specialist level and ability to learn useful not only at the entrance to the world of work but also to continue independently their training with a Master's Degree registration that relate to the cultural heritage, as well as to graduate schools in Archaeology or art History. You may also aspire to the continuation of the research process through participation in competitions for access to doctoral studies and for the awarding of contracts or university grants. The course provides the necessary skills, after passing the selection for entry to the active Internship Training (TFA) to a teaching degree in art history in high school. Making judgments Graduates will be aware of the peculiarities of the archaeological heritage and Mediterranean and European historical and artistic, with particular reference to Sardinia. Thanks to insights in the literature and in the field, may carry out comparisons between the Framework island and the wider national and international context. They will thus be able to integrate knowledge and formulate judgments, even on the basis of limited information, leading to innovative proposals for the specialist knowledge and the enhancement of cultural heritage, which also include a reflection on the social and ethical responsibilities linked to the application of judgments and the knowledge acquired. communication skills Graduates will be able to clearly communicate with a popular and specialist level (for example, during debates and scientific meetings) in relation to the issues and problems of archeology and art history. It 'also able to chair the working groups and to use the specific conventions of scientific communication. Communication skills are also acquired through foreign language laboratories provided for law among the additional training activities. employment and career opportunities for graduates Officer of Museums, Superintendents, specialized libraries in Archaeology and Art History, local authorities and various institutions, engaged in research and exploitation of the archaeological, historical and artistic heritage. Career opportunities and professional activities provided by the degree programs are in areas in which it will operate, with high responsibility, such as: institutions responsible for the conservation and enhancement of the archaeological heritage, as Superintendents and museums; organizations and units of study and research of archaeological heritage preservation, artistic, documentary and monumental in agencies and institutions, public and private (such as municipalities, provinces, regions, foundations); companies, cooperatives and other private groups can cooperate in all activities, from the excavation for public use, with the entities responsible for the protection of the archaeological heritage; publishing activities, the publications and other specialized media in the archaeological field. Skills associated with the function Officer of Museums, Superintendents, specialized libraries in Archaeology and Art History, local authorities and various institutions, engaged in research and exploitation of the archaeological, historical and artistic heritage. Graduates from the Master's degree course must: - possess advanced skills both historical and methodological for the purposes of research and critical exegesis in the different areas and in different historical areas for the development of the arts (architecture, painting, sculpture, applied arts) from the Middle Ages to the present; - Theoretical knowledge and applied problems of conservation, management, promotion and enhancement of historical and artistic heritage and its institutions; - Having studied the particular issues relating to the history and preservation of a particular artistic sector; - To be able to fully use the main tools in the specific areas of competence and in particular with regard to the cataloging and documentation of historic and artistic heritage and their contexts; - Be able to be fluent in written and oral form, at least one European language besides Italian with reference to disciplinary vocabularies. Function in the context of work Officer of Museums, Superintendents, specialized libraries in Archaeology and Art History, local authorities and various institutions, engaged in research and exploitation of the archaeological, historical and artistic heritage. Graduates from the Master's degree course must have been formed in both new methods and techniques of archeology in both traditional and historical, philological and artistic. Graduates will then have: - advanced scientific skills, theoretical, methodological and operational related field of archeology and art history in the prehistoric and proto-historic, ancient and medieval, supported by knowledge of history and ancient written sources; - Expertise in the field of management, conservation and restoration of archaeological, artistic, documentary and monumental; - Skill in the use of IT tools and electronic communication in the specific areas of competence, with particular reference to significant transactions of monuments and archaeological sites, the classification of findings, image processing, computer management of scientific texts; - Ability to use fluently in written and oral form, at least one European language besides Italian with reference to disciplinary vocabularies. Description specific educational goals The individual learning activities of the course is assigned a number of credits based on the estimated time it takes an average student to perform the required tasks and achieve the expected learning outcomes. Graduates of the degree course in Archaeology interclass or Art History acquire specialist level knowledge falling into common areas or specific of the two Master's Degrees. In particular acquire skills in the restoration of cultural heritage and perfect knowledge previously acquired in archeology and history of Greek and Roman history, and archeology and medieval Christian. Compared to the specificity of the two courses, he graduates in Archaeology also perfect knowledge previously gained in paleontology, prehistoric archeology and proto, Phoenician archeology, language, literature and Greek philology, Latin epigraphy and Roman history, and acquire skills in ancient Christian literature. This knowledge will be acquired by attending the lectures, the excavations and laboratories relating to SSD L-ANT / 03, L-ANT / 01, L-ANT / 07, L-ANT / 08, BIO / 08, BIO / 01 , L-OR / 06, CHIM / 12, L-LIN / 02, M-STO / 08, M-STO / 09. The graduate in Art History perfects also previously acquired knowledge in the field of medieval art history, modern and contemporary, and palaeography and diplomatic, and acquire skills in aesthetics and medieval and humanistic Latin literature. This knowledge will be acquired by attending the lectures and workshops relating to SSD L-ART / 01, L-ART / 02, L-ART / 03, L-ART / 04, M-FIL / 04, L-FILTER LET / 08, M-STO / 09. Thanks to the in-depth level of knowledge of history, archeology and art history, from the point of view of the contents of both methods of study, graduates are able to use the acquired skills to plan and carry out research projects at the regional, national and international possibly thanks to the experience of studying abroad gained at EU universities under the Socrates-Erasmus program. To acquire these skills the graduate completes a training program which includes taking examinations and frequency (not mandatory) of lectures, supplemented by functional activities to practice in the archaeological field and / or art-historical (excavations, restoration workshops of the artifacts , cataloging, training, etc.). [-]

Master of Fine Arts Programmes (MFA)

California Institute of Integral Studies
Campus September 2017 USA San Francisco

As artists, writers and performers in the heart of San Francisco, our work is influenced by technological innovation, cultural transformation, and urban redesign. Our curriculum gives students a chance to focus on their own practice in an interdisciplinary setting. [+]

Best Part time Masters Degrees in Art History. Master of Fine Arts Programs (MFA) Welcome to the MFA Programs at CIIS! As artists, writers and performers in the heart of San Francisco, our work is influenced by technological innovation, cultural transformation, and urban redesign. Our curriculum gives students a chance to focus on their own practice in an interdisciplinary setting. In our two year, 48-unit intensives you will complete one or more of the following: a book-length manuscript or chapbook an evening-length dance, theatrical, or musical performance a visual arts exhibition in our street level main gallery a social justice/community arts project We offer: Intimate class sizes Mentoring with outstanding, committed faculty A weekend intensive format that is ideal for working adults Diverse perspectives and transdisciplinary approaches to art-making Direct and constant access to the rich Bay Area art scene Art-making can be a pioneering, transformative act that changes-and sometimes revolutionizes-culture. Students in this program become more self-reflective and skillful in their practice. Through intensive and transdisciplinary dialogue, they see their work in a broader artistic, philosophical, and cultural dialogue, and develop innovative, experimental, and meaningful work that challenges personal and cultural narratives and perceptions. ADMISSION REQUIREMENTS Applicants must meet the general admissions requirements of the Institute. Students must complete their bachelor's degree before beginning the programs; there is no requirement as to the field of study of the undergraduate degree. Students can demonstrate appropriate levels of accomplishment and commitment to their art by means of work samples and personal statements. We welcome students from all backgrounds; however, the Admissions Committee may ask students with limited arts or writing experience to supplement their degrees with some additional CIIS coursework. The program admits students in the fall (beginning in late August) and spring (beginning in late January) semesters. [-]

Masters in Historical Studies

Nalanda University
Campus August 2017 India Delhi

The School of Historical Studies (SHS) is a dynamic community of faculty members and graduate students, engaged in a systematic and rigorous enquiry into some of the fundamental questions that concern historical experiences within and beyond Asia. The five thrusts of the School, Archaeology, Asian Interconnections, Art History, Global History and Economic History, are built on the foundation of ancient Nalanda, chiefly its role as a conduit of India's vibrant intellectual, religious and economic linkages with the world, and the aim of the School Of Historical Studies is to open new frontiers of knowledge on interconnections between history, memory and time in Asian and non-Asian cultural, historical and philosophical contexts is also inspired and sustained by the glorious scholastic legacy of ancient Nalanda. [+]

The School of Historical studies The School of Historical Studies (SHS) is a dynamic community of faculty members and graduate students, engaged in a systematic and rigorous enquiry into some of the fundamental questions that concern historical experiences within and beyond Asia. The five thrusts of the School, Archaeology, Asian Interconnections, Art History, Global History and Economic History, are built on the foundation of ancient Nalanda, chiefly its role as a conduit of India's vibrant intellectual, religious and economic linkages with the world, and the aim of the School Of Historical Studies is to open new frontiers of knowledge on interconnections between history, memory and time in Asian and non-Asian cultural, historical and philosophical contexts is also inspired and sustained by the glorious scholastic legacy of ancient Nalanda. Students in the School of Historical Studies will gain an incisive knowledge of comparative and trans-regional history as well as global history, and develop a thorough understanding of methodological and theoretical issues, critical for multidisciplinary historical research. The overriding aim of SHS is to equip students with the required skill and capability to carry out original and innovative research based on archaeological findings, archival sources in classical and modern languages and field research. The School of Historical Studies encourages collaborative research with students and faculty from affiliated universities and institutions, study abroad experience, and training in an Indian and/or a foreign language. Students are expected to pursue interdisciplinary research, choose courses relevant to their research interests in other disciplines/schools and study a classical and modern language to enhance their research skills. Focus areas The thrust areas of the School are: Asian connections Archaeology Art history Global history Economic history Master’s Programme The School Of Historical Studies currently offers an internationally competitive M.A. programme, and will soon develop a Ph.D. programme, focused on global and comparative history. All Master’s students are required to obtain a minimum of 48 credits spread over 4 semesters. The curriculum comprises a mix of core and elective courses. The first two semesters cover core courses, elective courses and one basic Language course; while third and fourth semesters emphasize more on infusing research skills in the master’s students by stressing more on specialized elective courses, advance language courses and thesis components. Each student may choose from an array of languages being offered at the School, viz. Sanskrit, Pali, Korean and Chinese. The research focus of the School is well supported by supervised readings, dissertation writing and field works. The School believes that interdisciplinary studies enhances the educational experience and allows the student to challenge one’s own beliefs through learning not only different ‘facts’ of information from different disciplines but crucially, different methodologies and ways of thinking. Many courses of the SHS and the School of Buddhist Studies, Philosophy and Comparative Religions (SBS) are cross listed with each other. Career Opportunities In addition to teaching, research and academic careers Nalanda Students are finding employment in corporate and government sectors ,media and journalism, diplomacy, international organizations and museums. Collaborations The School has established connections for collaborative research links with institutions around the world. Some of the major ones are: Nalanda-Sriwijaya Centre, Institute of Southeast Asian Studies (Singapore) Chulalongkorn University (Thailand) Peking University (China) Archaeological Survey of India (ASI, India) European Consortium for Asian Field Study (ECAF, France) International Institute for Asian Studies (IIAS, Netherlands) Courses at the School Core Courses Imagining Asia Research Methodologies Critical Readings in Historical Studies Electives Exploring Indo-Persian Histories History and Philology in Pre-modernity Evolution of Islamic Thought: Concepts, Peoples, Spaces Intellectual Histories of India in Early Modernity Publics and Patrimonies: Heritage, History, and Memory in the Global Worlds of South Asia Topics in East Asian Religions and Thought Understanding Sufism Visualizing South Asia: Sites and Mediums Rivers of Monsoon Asia: Natural Environment, Society and Economy along the Ganga and Irrawaddy South Asian Buddhism(s) Cultural Exchanges between Pre-modern South and Southeast Asia: From ‘Greater India’ to the ‘Sanskrit Cosmopolis’ (and Beyond) Buddhism in Global Contemporary Art, from West to East Introduction to Visual Culture in Colonial India Pre-modern Korean History The Indian Ocean Interconnections: Movements of People, Goods and Ideas across East Africa and the Indonesian Archipelago Language Courses Introduction to Sanskrit I Introduction to Sanskrit II Intermediate Sanskrit I Introductory Korean Pali Faculty Pankaj Mohan: {Dean} Pankaj Mohan studied East Asian languages, history and cultures, initially at Jawaharlal Nehru University, New Delhi and subsequently at Peking University, Beijing, Seoul National University, Seoul and the Australian National University, Canberra where he received his Ph.D. degree in East Asian history. He taught Korean language, Classical Chinese and various courses in Korean and East Asian history at the Australian National University, the University of Sydney and the University of Copenhagen between 1991 and 2009. In July 2009 he was appointed Professor and Dean of the Faculty of International Korean Studies, the Academy of Korean Studies, South Korea, and he held this position until January 2015 when he moved to Nalanda University. Aditya Malik: {Professor } Aditya Malik was trained in philosophy, archaeology, history, social anthropology and religious studies at St. Stephen's College (Delhi), Deccan College (Pune) and the South Asia Institute of the University of Heidelberg (Germany) from where he received his Ph.D. in the History of Religions, and Habilitation (professorial degree) in Modern Indian Studies. He has been a Senior Fellow of the German Research Council (Heidelberg); Visiting Faculty, Institute for Advanced Study, Hebrew University (Jerusalem); Visiting Professor, Cluster Innovative Centre, University of Delhi; Fellow, Max-Weber-Centre for Advanced Social Science Research (Erfurt/Germany); Deputy Director, New Zealand South Asia Centre (NZSAC); Associate Director, New Zealand India Research Institute (NZIRI); and Head of Religious Studies at the University of Canterbury, New Zealand. Sraman Mukherjee: {Assistant Professor} Sraman Mukherjee completed his Ph.D. from the Centre for Studies in Social Sciences, Calcutta and the University of Calcutta. Trained as a historian of colonial and early post-colonial South Asia, his work explores the politics of heritage looking at modern biographies of sites, objects, monuments, and disciplinary and institutional histories of archaeology and museums. Sraman has held post-doctoral research positions at the International Institute of Asian Studies (Leiden), in the Department of Art History and the Institute of Advanced Study at the University of Minnesota (Minneapolis), and the Royal Netherlands Institute of Southeast Asian and Caribbean Studies (KITLV, Leiden), and a full term teaching position at the Presidency University (Kolkata). Kashshaf Ghani: {Assistant Professor} Kashshaf Ghani received his Ph.D. in History from the University of Calcutta. His dissertation explored Sufi rituals and devotional practices in South Asia across Sufi orders, connecting it to areas beyond South Asia. His fields of interest include Sufism, Islam in South Asia and Muslim societies with a focus on pre-modern India (1000-1800). He has held research positions at the Asiatic Society, Kolkata; the University of Sorbonne-Nouvelle, Paris, and at the Zentrum Moderner Orient, Berlin. Samuel Wright:{ Assistant Professor} Samuel Wright received his Ph.D. from the University of Chicago. His research combines intellectual, political, literary, social, and linguistic contexts with the study of history in early modern India (15th to 18th centuries). His publications span the domains of social, political, literary, and intellectual history. Ranu Roychoudhuri: {Assistant Professor} Ranu Roychoudhuri received her graduate training and PhD (2015) at the University of Chicago. She is a historian of photography and specializes in the documentary genre. Her doctoral research focused on aesthetic conventions and sociocultural consequences of mass-circulated photographs in twentieth-century India. Her areas of research and teaching interest include media archaeology, art market, film history, contemporary art, and history of photography. Murari Kumar Jha {Assistant Professor} Murari Jha received training in historical research at Leiden University, the Netherlands (2006–2013) and also at Jawaharlal Nehru University, New Delhi (1999–2006). He has a PhD from the Institute of History, Leiden University and another PhD from the Centre for Historical Studies, Jawaharlal Nehru University. In the Netherlands, Murari learnt the Dutch language and did research based on the Dutch East India Company’s (VOC) records in the National Archives, The Hague. His study in the Netherlands was supported by the prestigious ENCOMPASS programme funded by NWO (Netherlands Organization for Scientific Research) and during his PhD, he received the highly competitive fellowship –AIO (Assistent in Opleiding)– from LUF (Leiden University Fund). From Leiden Murari moved to Singapore where he worked as a postdoctoral research fellow at History Department, NUS Christine Vial Kayser {Visiting Assistant Professor} Christine Vial Kayser studied Art history at University of Paris-Sorbonne, and subsequently qualified as museum curator from Institut National du Patrimoine in Paris. After several years as museum curator, she attended Goldsmiths college in London, earning an Mres and then a PhD from Paris-Sorbonne in contemporary art history. Coming from a Western background, she focuses on Asian art, which she examines from a comparative perspective, with a special interest on the spiritual, and the phenomenological. Abhishek S. Amar: {Visiting Associate Professor} Abhishek S. Amar specializes in the archaeological history of South Asian religions especially Buddhism and Hinduism. After completing his Ph.D. in History from SOAS, University of London, he received a fellowship from Kate Hamburger Kolleg at Ruhr University, Germany in 2009 to conduct research on inter-religious interactions in the early medieval India. Amar has co-edited Cross-Disciplinary Perspective on a Contested Buddhist Site: Bodhgaya Jataka (2012) and also published articles in leading scholarly journals and edited collections. FAQs Can you send me more information about this program? Full information about all the programs offered at Nalanda University can be found on the following url: http://www.nalandauniv.edu.in/schools/ When is the application deadline for this program? Aspirant candidates can apply for the programs offered at Nalanda University throughout the year. The University follows Rolling Admissions. We evaluate the Applications as they arrive, by shortlisting and interviewing the candidates at regular intervals. The shortlisted candidates will be interviewed from January 2017 onward. The candidates appearing in their final examination of their Bachelor’s degree in 2017 may also register for Admission. The seats are limited and are filled on a first-come, first-served basis. Early applications help in securing the seat in the School and accommodation of choice. To avoid disappointment on these fronts it is advisable to apply for admissions at the earliest. The last date for applications for the first round of admissions in the 2017 Academic year is Apr 1. How much does this program cost? The program costs Fee Details Sem 1 Sem 2 Sem 3 Sem 4 Sem 1 Sem 2 Sem 3 Sem 4 Tuition Fees 28,000 INR 28,000 INR 28,000 INR 28,000 INR $470 $470 $470 $470 Admission Fees 6,000 INR NIL NIL NIL $100 NIL NIL NIL Security Deposit (Refundable) 6,000 INR NIL NIL NIL $100 NIL NIL NIL Total 40,000 INR 28,000 INR 28,000 INR 28,000 INR $670 $470 $470 $470 ... [-]

Máster Universitario En Historia Del Arte Y Cultura Visual

Jaume I University (Universitat Jaume I)
Campus October 2017 Spain Castellón

Los estudios tienen la ambición de transmitir a los graduados y graduadas en Historia del Arte y otras disciplines afines el legado de conocimiento y habilidades elaboradas [+]

Best Part time Masters Degrees in Art History. Los estudios tienen la ambición de transmitir a los graduados y graduadas en Historia del Arte y otras disciplines afines el legado de conocimiento y habilidades elaboradas por la disciplina en su siglo y medio de institucionalización académica, cuya adquisición resulta imprescindible para comprender y evaluar críticamente tanto el objeto artístico como su proceso de creación. Dado que los estudios de licenciatura (y más aún los de grado) ofrecen una formación generalista, el postgrado es el marco idóneo para conseguir una formación especializada que se defina con criterios de excelencia académica e interés científico. Tipo de enseñanza Enseñanza presencial. Duración y calendario Duración: un curso académico  (octubre 2014 / junio de 2015). Docencia presencial (octubre 2014 / junio 2015). Créditos e importe 60 créditos ECTS (European Credit Transfer System). Según tasas oficiales pendientes de publicar. Precio en el curso 2013/14: 46,20 €/crédito. Becas propias y ayudas Existe la posibilidad de solicitar diferentes becas y ayudas para la realización del máster. Requisitos de acceso obligatorios Estudiantado proveniente de áreas de conocimiento de Humanidades y Ciencias Sociales que hayan realizado estudios superiores de grado, licenciatura o master oficial; siendo de especial interés para los titulados/as superiores con los siguientes perfiles: Historia del arte, Historia, Bellas Artes, Comunicación Audiovisual, Humanidades, Filosofía, Filología, Antropología, Sociología, Ciencias de la Información y Arquitectura. Igualmente puede ser de interés para los diplomados en Conservación y Restauración, Turismo y Biblioteconomía y Documentación. [-]

Master of Arts in Visual Culture and Contemporary Art - Visual Culture and Contemporary Art (ViCCA)

Aalto University
Campus August 2017 Finland Espoo

Visual Culture and Contemporary Art focuses on tutoring students to develop and contextualize their own artistic, curatorial or theoretical work. It is open to artists and practitioners with different backgrounds. [+]

Visual Culture and Contemporary Art focuses on tutoring students to develop and contextualize their own artistic, curatorial or theoretical work. It is open to artists and practitioners with different backgrounds. The program explores new forms of artistic production and professional agency within the broader field of contemporary art and visual culture. Theory and practice are tightly interwoven, and emphasis is put on developing each student’s artistic, curatorial and theoretical thinking. The program has two majors: Visual Culture and Contemporary Art (ViCCA) and Curating, Managing and Mediating Art (CuMMA). The ViCCA major works through four focus areas: Sites, Senses and Situations; Words and Spaces; Beings and Things, and CuMMA, of which CuMMA is also a separate major. The CuMMA major focuses on the professional skills needed for curating and mediating art. In both majors some of the courses are also available for the students of the other major. Goal of education (Learning outcomes) ViCCA (Visual Culture and Contemporary Art) is a two-year major, which connects the worlds of art and non-art. Central for the program are new and emergent professional practices, which are born and developed in this new space of cultural production. In the major, art is made and new professional agencies are explored within the broader field of visual culture. Aalto University offers a very good multi-scholarly context for this. The art of our times works increasingly in interaction with research, planning, activism and public debate. The goal of the ViCCA major is to explore and develop systematically these new territories and modes of artistic work. Art in supermarkets, art claiming parks and experiments of artistic research are, for example, central for many artists of today. This motivates having teachers in the program not just from the arts but also from e.g. philosophy, social sciences and urban research. Sensing, experientiality, and experimentality have a key role in the studies as methods of gaining knowledge and creating art. The strong theoretical base together with a multi-artistic framing of creative work gives concrete tools for working in many new professions in contemporary society in addition to those in the fields of art, production and culture. Students also learn literacy and skills in other arts than the one they originally were experts in. The program offers holistic views and skills on how to extract knowledge out of professional experience. The Major is tailored for artists and professionals of arts and scholarship who want to develop their own professional agency and broaden their way of looking at the world and its phenomena by using artistic tools. It offers a study path for students to reflect on their professional role in new ways through arts and visual culture. The Major offers great opportunities to develop research abilities and a sense and taste for artistic and critical thinking. For artists, the program offers an opportunity to broaden their professional identity and to create new ways of working, and new forms of professionalism. ViCCA Major learning outcomes: Content outcomes: Students learn to rethink and reshape their relation to the world and lived environment through artistic means Students have a wide understanding of contemporary and emerging artistic practices Students comprehend visual culture beyond the visible and theory beyond the academic Students have a creative understanding of the possibilities of art as a tool in social contexts and environments Skill outcomes: Students learn to enrich their competence in their own practice, media or field Students learn to reflect on their own practice in relation to those of other fields Students acquire an experimental attitude and tools for utilizing it Students have concrete experience of projects where theoretical thinking and artistic practice merge Academic skills: Students have comprehensive research skills, which prepare them also for doctoral studies Education content Studying in ViCCA consists of theory workshops, experimental laboratories, concrete projects and a thesis. In the Major here are four different modules for advanced special studies: Sites, Senses and Situations, Words and Spaces, Beings and Things, and Curating, Managing and Mediating Art (CuMMA), of which CuMMA is also a separate major. The student can build her/his package of studies quite freely, choosing from different modules, or just focusing on one. Advanced Special Studies Sites, Senses and Situations offers a framework for exploring and discussing our lived environment, focusing on sensory perception and issues related to space, site and social context. Spaces and environments are studied through artistic practices from both contextual and experiential points of view. We observe our environment on multiple levels and seek to actively engage with it. Interventions in public spaces and institutions, participatory projects and spatial experiments are among the methods used. Through our multidisciplinary approach we encourage students to explore new forms of artistic practice and collaboration. Words and Spaces views theory beyond the academic and as something embedded within artworks. How can philosophy, adventures in artistic research, and working hands on with words and images be newly relevant in the changing world we live in? We experiment with the materiality, transparency and metaphorics of language and explore especially its role and potentials in contemporary art and artistic research. Criticism, fiction, experimental writing and textual performance are among the methods we use in exploring the margins, boundaries and contexts of artistic work. Beings and Things provides a platform for discussion and investigations into how we might rethink and reshape our connections to the living world – as part of that world. We probe, for example, the intersections of objects, microbes, resonances, human and non-human life forms. We focus on inter-relational and sensorial levels of life and on phenomena that are not necessarily consciously observed or sensed. We might talk about “aesthetics of atmosphere” and “sense-sphere”. Beings and Things trains the students to become facilitators of new modes of creative/artistic practice ranging from building to breathing, from fermentation to fragmentation. Curating, Managing and Mediating Art, CuMMA, provides a structure for reflection and acting, learning and organizing in art institutions and the public sphere. We aim to explore possibilities to understand and shift the paradigms of contemporary art and the world around us. Thus we understand curating, educating and organizing as ways of being active, of creating relations and of being open for unexpected encounters, thoughts and knowledges. The Major offers its student a broad variety of minor studies, which are available in the School of Arts, Design and Architecture and other schools of Aalto University. This combination of design, media, economics and technology as a part of the visual culture and contemporary art The Major opens up new professional career paths. Career opportunities Students that graduate from the program can work in a variety of already existing professions in the field of arts and culture. Besides this, the program encourages students to build their own creative positions and professional agencies in the multi-faceted, constantly changing and multi-disciplinary world. The students who have a background outside of visual culture and contemporary art enrich their own fields of expertise with a new point of view – and a broad array of new methods of working with it. Titles Students graduating from the ViCCA programme may work as artists, producers, researchers, scholars, third sector activists and in think tanks – and in a range of new professions yet to be imagined. Internationalisation The Major is international and the main language of teaching is English. The Major is well connected to international networks, which are constantly built up and developed. Through these networks students have a possibility to do a training abroad or to study a part of their diploma in other countries with the help of exchange agreements. Admission procedure Applicants for the Master’s Programme in Visual Culture and Contemporary Art; Visual Culture and Contemporary Art (ViCCA) apply in the Master’s level admissions in the field of Art and Design. The students are selected through a two-part examination, of which portfolios form part 1, and interviews/presentation part 2. Criteria for selection are skills and background knowledge, suitability for the program and the field of work the program is built for, and suitability for university studies. [-]

MPhil in Visual Studies

Lingnan University
Campus September 2017 Hong Kong Tuen Mun

Visual Studies at Lingnan is a stand-alone department focusing on the following core sub-disciplines: art history, cognitive film studies, and philosophical aesthetics. [+]

Best Part time Masters Degrees in Art History. MPhil in Visual Studies Duration: 2 years (Full-time) Place: Hong Kong Visual Studies at Lingnan is a stand-alone department focusing on the following core sub-disciplines: art history, cognitive film studies, and philosophical aesthetics. The emphasis on philosophical aesthetics gives Visual Studies at Lingnan a unique profile, as does the emphasis on cognitive approaches to film, museum studies, art and well-being and Chinese art. For more information about our department, please visit http://www.ln.edu.hk/visual/. Application for Admission Applicants who are interested in seeking admission to the MPhil programme should apply to the University directly. Successful applicants will normally be provided with a Postgraduate Studentship with a monthly stipend of HK$15,540* (US$1 = HK$7.8). *rate subject to review Application Period The University invites applications from 1 November 2016 to 27 January 2017. Late applications will be considered on an individual basis, subject to the availability of places. General Admission Requirements An applicant for admission to candidature for the degree of MPhil should normally: a. hold a relevant bachelor's degree with first or second class honours or at an equivalent standard awarded by a tertiary education institution recognised for this purpose by the University; or b. have obtained an equivalent qualification; or c. have provided satisfactory evidence of academic and professional attainment. In addition to the above, an applicant whose degree is not from a tertiary institution in Hong Kong or an English-speaking country should obtain a minimum score of 550 (paper-based test) or 213 (computer-based test) or 79 (internet-based test) in the Test of English as a Foreign Language (TOEFL), or a band score of 6.5 or above in the International English Language Testing System (IELTS), or an equivalent score in a recognised test, or an equivalent qualification to prove his/her language proficiency which will be considered on a case-by-case basis. Applicants are required to fulfill additional requirements, if any, set by the programmes to which they apply for admission. Programme Specific Admission Requirements ... [-]

Master in Historic Preservation

SCAD - The Savannah College of Art and Design
Campus September 2017 USA Savannah

As a student of historic preservation at SCAD, you will benefit from the only historic preservation program in the country that offers immersive experiences in the U.S., Europe and Asia, with the largest faculty dedicated to preservation education. [+]

Preserve the past while securing your future As a student of historic preservation at SCAD, you will benefit from the only historic preservation program in the country that offers immersive experiences in the U.S., Europe and Asia, with the largest faculty dedicated to preservation education. Pursue your passion at a school that has been on the vanguard of preservation for more than three decades, adaptively reusing nearly 100 historic facilities around the world that will serve as your exclusive living laboratory. M.A. in historic preservation Available at: - Savannah - eLearning ARLH 501 History of Modern Architecture* HIPR 501 Communication for the Preservationist* HIPR 502 The Technology of Historic Structures* HIPR 701 Preservation History and Theory HIPR 703 Preservation Law and Advocacy HIPR 704 Preservation Economics and Development HIPR 706 Preservation Research and Survey HIPR 709 Preservation Science: Laboratory Methods and Analysis HIPR 716 Building Assessment I: Research, Analysis and Interpretation HIPR 734 Preservation Rehabilitation HIPR 749 Historic Preservation M.A. Final Project — 500- to 700-level elective Total course of study: 45 hours* M.F.A. in historic preservation Available at: - Savannah ARLH 501 History of Modern Architecture* HIPR 501 Communication for the Preservationist* HIPR 502 The Technology of Historic Structures* HIPR 701 Preservation History and Theory HIPR 703 Preservation Law and Advocacy HIPR 704 Preservation Economics and Development HIPR 706 Preservation Research and Survey HIPR 709 Preservation Science: Laboratory Methods and Analysis HIPR 712 Digital Innovation and Application for Historic Preservation HIPR 716 Building Assessment I: Research, Analysis and Interpretation HIPR 734 Preservation Rehabilitation HIPR 755 Preservation Philosophy and Criticism HIPR 757 Preservation Restoration HIPR 765 Preservation Seminar HIPR 779F Graduate Field Internship† HIPR 779T Graduate Teaching Internship† HIPR 791 Historic Preservation M.F.A. Thesis I: Research and Analysis HIPR 792 Historic Preservation M.F.A. Thesis II: Development and Presentation — 500- to 700-level elective — 500- to 700-level elective — 500- to 700-level elective — 500- to 700-level elective Total course of study: 90 hours Careers in historic preservation Become a preservationist. Become a conservator. Become a restoration artisan. SCAD has been in the vanguard of preservation for more than three decades. From adaptively reusing nearly 100 historic facilities around the world and being the only historic preservation program in the country to offer immersive studies in the U.S., Europe and Asia, to receiving honors from UNESCO, the American Institute of Architects, the National Trust for Historic Preservation, the Congress for the New Urbanism and others, SCAD is global in its presence, influence and impact. Launch your career as a professional: City and regional preservation planner or researcher Digital cultural heritage specialist Preservation design consultant Historic site supervisor Museum administrator or curator Restoration artisan Historic materials conservator Historic preservation officer Downtown development director And get recruited and hired by the best of the best: US/ICOMOS Architectural Digest Association for the Preservation of Historic Congressional Cemetery Colonial Williamsburg New York City Department of Parks and Recreation Historic Denver Preservation Resource Center of New Orleans Archibald Smith Plantation House North Carolina Historic Preservation [-]

MA in Art Research Collabouration

Dun Laoghaire Institute of Art, Design and Technology [IADT]
Campus October 2017 Ireland Dublin

The ARC MA programme is open to artists, writers and curators or those whose research focus identifies art thinking and practices as a significant component. [+]

Best Part time Masters Degrees in Art History. MA in Art Research Collaboration (previously titled Visual Arts Practice) IADT is currently developing this two year taught Master of Arts Programme, titled MA Art Research Collaboration (ARC), for commencement in September 2014. This programme replaces the MA in Visual Arts Practices (2004-2014). Led by Dr. Maeve Connolly and Dr. Sinead Hogan, the new ARC MA is a research-focused taught masters programme delivered over two years, running from September to June, with a planned intake of approximately 10-12 students per year. The programme will incorporate research groups developed in collaboration with project partners such as the Irish Museum of Modern Art (IMMA) and the Irish Film Institute (IFI). The ARC MA programme is open to artists, writers and curators or those whose research focus identifies art thinking and practices as a significant component. The course intends to support a strongly interdisciplinary enquiry into areas that through research might be related and/or be applied to art, such as philosophy, psychology, media production, film, education, history, literature, archaeology, geography, publishing, design and architecture. Modules will be taught primarily off-campus but students will also have access to art production workshops and the extended facilities on the main IADT campus. Aims and Learning Objectives What modules will I study? In year one, students complete a series of taught modules, participating in tutorials and critiques designed to support the development of their chosen research projects, and also work in small groups toward the realization of public-oriented projects. In year two, they can either work independently, supported by regular meetings, or as part of the research groups developed in collaboration with IMMA and IFI. What are the entry requirements? The MA Art Research Collaboration is open to recent graduates from any discipline area whose current research focus has identified art thinking and practices as a significant component and those with an established track record of art research and/or practice. Applicants must demonstrate an informed engagement with art research, and identify a potential area for further study by submitting either: 1. A Project Proposal consisting of 4 x A4 pages comprising plans and images of a proposed project of practice-based work and explanatory text, if the research is envisaged as being delivered primarily through practice-led enquiry. If the project involves the production of artworks, applicants must also submit documentation of previous artwork (max. 10 images, on DVD or USB flash drive/memory stick). If the practice involves the production of written texts, applicants must also submit samples of previous writing. OR 2. A Project Proposal of 3000 words, if the project research is envisaged as being delivered primarily through theory and written textual enquiry. All Project Proposals should include the following elements: - Outline of the main concerns or questions to be explored in your proposed project (which could result in the production of artworks, publications and/or the organisation of screenings,exhibitions, discussions, research texts and/or events) - Discussion of any aspects of your previous experience of art practice and/or research relevant to your project. - Exploration of the context for your project, including strategies and approaches developed by other practitioners and/or researchers, within and/or beyond the art field. - Potential collaborators on your project, such as art practitioners (artists, writers, curators),researchers and/or organisations and institutions within or beyond the art field. - List of research sources (such as publications) most relevant to your project (max 10). [-]

Master in Fashion and Textile Studies: History, Theory, Museum Practice

Fashion Institute of Technology
Campus September 2017 USA New York

The Master of Arts program in Fashion and Textile Studies: History, Theory, Museum Practice combines the rigorous study of fashion and textile history with hands-on training in the analysis [+]

Master in Fashion and Textile Studies: History, Theory, Museum Practice

The Master of Arts program in Fashion and Textile Studies: History, Theory, Museum Practice combines the rigorous study of fashion and textile history with hands-on training in the analysis, conservation, storage, and exhibition of textile and costume materials, and in collections management and exhibition planning and design.

The hallmark of this interdisciplinary program is its blend of theory and practice. You’ll study the historical and cultural significance of fashion interpretation, and be trained to approach costume and textile history from various traditional and innovative perspectives. You’ll also learn practical skills, from how to identify fibers and treat various kinds of objects, to the proper way to roll a textile and dress a mannequin.... [-]


Master in Aesthetics and Art History

Braunschweig University of Art (HBK)
Campus Part time October 2017 Germany Braunschweig

The university course Aesthetics and Art History at the HBK distinguishes itself by being fully integrated into the overall concept of an art university... [+]

Master in Aesthetics and Art History

You can study Aesthetics and Art History as a bachelor or master student or a doctoral candidate at the Hochschule für Bildende Künste Braunschweig (HBK) / Braunschweig University of Art:

Study Information

The university course Aesthetics and Art History at the HBK distinguishes itself by being fully integrated into the overall concept of an art university: Aesthetic phenomena and the theory of Art Science are critically reflected and viewed in relation to contemporary art and present design practice. The reference to contemporary art is always central to the course but is based on solid knowledge of art history and on the historic-systematic requirements for the subject.... [-]